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Suite Vollard, 1939, Paris: Marie-Therese Looking at Her Effigy As a Surrealist Sculpture, May 4, 1933

Pablo Picasso
Spanish, 1881-1973
10-1/2 x 7-3/4 in. (26.7 x 19.7 cm)
The Norton Simon Foundation
© 2016 Estate of Pablo Picasso / Artists Rights Society (ARS), New York Reproduction, including downloading of ARS works is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York

Not on View

Marie-Thérèse Walter (1909–1977) walked into Picasso’s life as a teenager in the late 1920s. Her blond hair, full chin and blue eyes subtly began to populate his work, subversively reflecting the couple’s clandestine affair. By the early 1930s, Picasso had drawn from her features a kind of sexualized, surrealist inspiration, and her sweeping curves and casual sensuality prompted a number of paintings, drawings and even sculpture, culminating in his great, colorful canvases of 1932. In this etching, Walter is represented by a simple, unmodulated line. In Suite Vollard, in which she stares at a surrealist representation of herself, Walter becomes the embodiment of a classical statue, as her pose and features, coupled with the reduction of her form, recall a meaningful art-historical past.

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